|
|
2009 |
Interview with Sharon Greenaway, OurPatch, Australia, www.ourpatch.com.au, May 14, 2009 |
|
Artistic search for essential meaning, The Advertiser, Bendigo, Australia, Tuesday, May 19, 2009 |
|
Interview with Jo Printz, for ABC Local Radio, Bendigo, Breakfast with Johathan Ridnell, for Towards a Qunita Essentia, May18, 2009 |
2008 |
30 Minute TV interview with Tom Heyes, 45 South Television, New Zealand, to Air, July, 2008 |
2007 |
Editorial: Art News - Spring
2007, Modulations:# Cantata Re
Configured, August, 2007, p
54 |
|
Sophie Speer, “Sacrifice & Religion
Explored”, Modulations:#2
Cantata Re Configured, Feature
Article, The Southland Times, 17 August, 2007 p1 & 13 |
|
Grant Shimmin, Exhibition
with a difference, Multimedia-art exhibition sure to be thought-provoking
Modulations:#1 Cantata Re Configured, Feature story, Ashburton
Guardian, 13 July, 2007, p1 & 3 |
|
June Barrett, New
Exhibitions at Gallery, The Courier, Ashburton, 18 July, 2007 p1 & 3 |
|
Exhibition
opens in Ashburton,
Community High Country Herald, 25 July, 2007 p3 |
|
Ralph Body, Shifting Skins, Modulations: Cantata Re Configured by Lyn Plummer, Exhibition
Catalogue, Traveling exhibition, ISBN 978-0-908846-40-5, Dunedin,
New Zealand |
2005 |
Ralph Body, Review Article
on Cantata: A Play of the Trace II, The Year in Arts & Entertainment-
Ralph’s End of year Round-up, Critic
2 te ärohi, Otago University magazine, Dunedin, New Zealand, 14 October,
www.critic.co.nz |
|
Richard Dingwall, Review, Body\Space\Ritual-Text, ARTSEEN, Impressions Otago Daily Times, Dunedin, New Zealand,13 October,
p 27 |
|
Ralph Body, “Blue Oyster Roundup” Review, Body\Space\Ritual-Text,
Critic 27, Otago University magazine, Dunedin, New Zealand, 17 October, p 56 |
|
Bridie Lonie, “Skin Job”, Review Article on Cantata: A Play of the Trace II,
The Listener, New Zealand 5 March, p 46 |
|
Ralph Body, Review Article on Cantata: A Play of the Trace
II, Critic 2 te ärohi, Otago University magazine, Dunedin, New Zealand, 4 March, p 38
|
|
Richard Dingwall, Review,
Cantata: A Play of the Trace II, ARTSEEN, Impressions Otago
Daily Times, Dunedin, New Zealand, 7 March |
|
Kathryn Mitchell, (Lyn Plummer, Seraphine Pick, Hawthorne
Experiment), Art New Zealand Number 115, Winter 2005
p 57-58 |
|
Domingo Córdoba, Lyn Plummer's Mixed Media, Sculptures
and Installations: Public Art Forum, Monash University,
Faculty of Art & Design, Melbourne, Australia, 27 April
2005 |
|
Kushana Bush, A Dialogue of Tensions, Paper on feminist aspects of Lyn Plummer's work. Otago Polytechnic, School
of Art MFA Conference, Dunedin,17 January
2005 |
|
Domingo Córdoba, Sacrificing the Body as a ritual Act
of Recalling Memories and Histories Keynote address
for focus on Lyn Plummer's work over the past 15 years.
Otago Polytechnic, School of Art MFA Conference, Dunedin,
17 January 2005 |
|
Domingo Córdoba, Sacrificing the Body as a Ritual Act
of Recalling memories and Histories, Cantata:
a play of the trace II, by Lyn Plummer, Exhibition
Catalogue, ISBN 0-908846-35-5, Dunedin, New Zealand. |
|
Dr. Leoni Schmidt, Precision/Restraint & Excess/Violence, Cantata:
a play of the trace II, by Lyn Plummer, Exhibition
Catalogue, ISBN 0-908846-35-5, Dunedin, New Zealand |
2004
|
Domingo Córdoba, Ritualising and Sacrificing the Body
as a Metaphor of the Quest of Human's Memories and Existence:
Lyn Plummer's Mixed Media Sculptures and Installations, Art
Association of Australia and new Zealand, Annual Conference, Present
Pasts - Present Futures, Auckland 1-3 Dec |
|
Domingo Córdoba, Lyn Plummer's Installation since 1990: Public
Art Forum, LaTrobe University, Art History Department,
Staff and Postgraduate Students Seminar Program, Donald
Whitehead Building, Melbourne, Australia. Oct 8 |
2001 |
Front Row -
Arts and Film Guide p 64, InPress Issue 677, 5 Sept |
2000 |
Rob Garrett, Touch
your own skin, Catalogue Essay, Cantata: A play of
the trace, Exhibition Catalogue, Gallery 101 Melbourne |
|
Robert Nelson, Animal
instinct, (Janet Laurence, Olga Sankey, Lyn Plummer)
Today 4. Review The Age, Melbourne, 29 June |
|
Nicola Mutch, Human
body inspiration for diverse artwork, Review, Otago
Daily Times, May |
1999 |
Charlotte Teek,
lingering/Scent of a Rose Chamber, Review, Off
the Wall, volume
3 number 2, May/June |
1997 |
Katy Deepwell, Review: New
Visions, New Perspectives: Voices of Contemporary Australian
Women Artists, by Anna Voigt (Australia: Craftsman House, 1996)
ISBN 976-8097-92-2, Book
Reviews (in brief), ISSN 1462-0426,
May. |
1996 |
Maria Galinovic, Women of Art, (Lyn Plummer), The
Border Mail, Albury, 7 December |
|
Anna Voigt, New Visions, New Perspectives, (Voices
of Contemporary Australian Women Artists, Craftsman
House, Sydney, 1996, pp18, 20, 32, 227-38 www.ktpress.co.uk |
|
Neville Drury and Anna Voigt, Fire and Shadow,
(Spirituality in Contemporary Australian Art),
Craftsman House, Sydney, pp12, 151-161 |
1994 |
Robert Nelson, The Arts Year in Review, The Age,
Melbourne, November |
1993 |
Nevill Drury, New Sculpture, (Profiles in Contemporary
Australian Sculpture), Craftsman House,
Sydney, pp9, 99-101, 179, 184 |
1992 |
Nevill Drury, New Art Six, (Profiles in Contemporary
Australian Art, Craftsman House, Sydney,
pp116-119, 174, 176 |
|
Isabel Jackson (Thompson), In Position, Curatorial
Essay, The Exhibitions Gallery, Wangaratta |
1991 |
A Dictionary of Women Artists of Australia,
Max Germaine, Craftsman House, Sydney |
1990 |
Artists and Galleries of Australia, Vol.
II, 3rd Edition, Max Germaine, Craftsman House, Sydney |
|
Michel Sourgnes, The Manipulation of Tradition, Endgame:
A Simple Matter of Balance, Catalogue Essay,
Exhibition catalogue, Queensland Art Gallery, Brisbane |
|
Michael Richards, Women on Women on Public Display,
(Lyn Plummer, Maria Kozic at the Queensland Art Gallery), The
Courier-Mail, Brisbane, 2 May |
|
Elizabeth Ruinard, Redressing
the Balance: Lyn Plummer at the QAG, Eyeline, Issue
13, December |
1989 |
Rosemary Adam, Initial Link, ("Art As An Issue of Place"),
Review, Art in Form, June |
1988 |
Michael Richards, Women's Roles are Questioned, The
Courier-Mail, Brisbane, 15 October |
1984 |
Sue Cramer, Clenched Fist of the Mass Media, The
Age, Melbourne, 14 November |
1983 |
Stephen Rainbird, Commercial Galleries Lead the Way:
(The Visual Arts in Brisbane), Australian Art Review
2 |
|
Sue Cramer, Sculpture Siege, Catalogue
Essay, Heide Park and Art Gallery Exhibition Catalogue, November |
|
Memory Holloway, The Age, Melbourne, 18 December |
1982 |
Dr Gertrude Langer, Transient Tranquillity, The
Courier-Mail, Brisbane, 14 July |
|
Sarah Follent, Women's Art on the March in Queensland, The
Australian, 11 October |
1974 |
John Olsen, The Rabaul Art Prize, Review, Post
Courier, Port Moresby, PNG, 28 October |
|
|